Custom Gibson Les Paul Guitar Build Diary

Custom Gibson Les Paul Guitar Build Diary

Here are the specs:

  • one-piece African mahogany back
  • book-matched flamed maple top carved
  • 24-3/4″ scale length
  • wenge fretboard with flamed maple binding on the inside
  • 7-piece lamined neck: mahogany / wenge / mahogany veneer / flamed maple / mahogany veneer / wenge/ mahogany
  • see below for more…

Short Demo

Build Photos (many!)

Starting with a nice piece of African mahogany

Starting with a nice piece of African mahogany

 

Sizing the mahogany with the template

Sizing the mahogany with the template

 

1-piece mahogany cut

1-piece mahogany cut

 

tracing the shape of the LP

Tracing the shape of the LP

 

The LP shape is rough cut on the bandsaw

The LP shape is rough cut on the bandsaw

 

Drilling most of the wood from the electronics cavity

Drilling the majority of the wood from the electronics cavity before using a router

 

Routing the switch channel

Routing the switch channel

 

Cleaning up the edges on the oscillating spindle sander

Cleaning up the edges on the oscillating spindle sander

 

The mahogany body weight 3.7lbs

The mahogany body weights 3.7lbs. That’s just about where I want it, so I won’t carve any weight relief. I expect the final guitar to weight between 7.5 and 8 lbs.

 

Hand sawing a piece of flamed maple

Hand sawing a piece of flamed maple

 

This will be a bookmatched piece

This will be a bookmatched piece

 

Making sure one edge is perfectly square so I can take it to the band saw

Making sure one edge is perfectly square so I can take it to the band saw

 

Ripping the maple into a book-matched set

Ripping the maple into a book-matched set using a 3/4″ blade

 

Not my best cut but I have plenty of thickness to plane it.

Not my best cut but I have plenty of thickness to plane it.

 

Gluing and clamping the book-matched set

Gluing and clamping the book-matched set

 

Rough cut the body shape on the band saw

Rough cut the body shape on the band saw

 

The two pieces

The two pieces

 

Applying glue to the two faces

Applying glue to the two faces

 

Clamping the top and bottom

Gluing and clamping the top and bottom

 

After the glue has dried overnight

Out of the clamps after the glue has dried overnight

 

Cutting away excess

Removing excess maple on the bandsaw to make it easier for the router bit

 

Using a flush trim template following router bit

Making the maple flush with the mahogany. Using a flush trim template following router bit, the mahogany is the template in this case.

 

Cleaning the router bit scratched on the spindle sander

Cleaning the router bit scratched on the spindle sander

 

A look so far

What’s been done so far…

 

Carving for the switch cavity cover

Carving for the switch cavity cover

 

Switch cavity

Switch cavity

 

Carving for the electronics cavity cover

Carving for the electronics cavity cover

 

The electronics cavity

The electronics cavity

 

Gluing two pieces of flamed maple to make a cavity cover

Gluing two pieces of flamed maple to make a cavity cover

 

Carving out the cavity cover on the cnc

Carving out the cavity cover on the cnc

 

Test-fitting the covers, they are still high and will eventually be sanded flush with the body

Test-fitting the covers, they are still high and will eventually be sanded flush with the body

 

Carving the steps on the maple top

Carving the steps on the maple top

 

Starting to removing the step with the random orbit sander

Starting to removing the step with the random orbit sander

 

Preparing to route the neck-plane angle

Preparing to route the neck-plane angle

 

Neck-plane angle is cut

Neck-plane angle is cut

 

Sanding the top

More sanding the top

 

Drilling out the pickup cavity on the drill press

Drilling out the bridge pickup cavity on the drill press

 

Routing the neck pickup cavity

Routing the neck pickup cavity

 

Drilling out the neck pickup cavity

Drilling out the neck pickup cavity

 

Both pickup cavities are routed

Both pickup cavities are routed

 

Starting to build the neck…

Laminating the neck blank

Laminating the neck blank. You can watch a video of how I built this neck blank

 

The neck blank after passing through the planer

The neck blank after passing through the planer

 

Trimming the end to proper length

Trimming the end to proper length

 

tracing the neck profile onto the blank

Tracing the neck profile onto the blank

 

Cutting the angle for the headstock

Cutting the angle for the headstock on the bandsaw

 

Cleaning the cut marks

Cleaning the cut marks

 

Fine sanding the headstock top

Fine sanding the headstock top with a sanding block

 

The neck so far...

The neck so far…

 

Drawing the centerline

Drawing the centerline

 

Marking the end of the truss rod

Marking the end of the truss rod

 

Positioning a stopper at the end

Positioning a stopper at the end… there’s also one at the headstock

 

Carving the truss rod channel

Carving the truss rod channel

 

Truss rod channel and access cavity are carved

Truss rod channel and access cavity are carved

 

Rough shaping the back of the neck

Rough shaping the back of the neck

 

Rough shaping the top profile

Rough shaping the top profile

 

Making the headstock shape template on the CNC

Making the headstock shape template on the CNC

 

The neck and headstock templates are held in place with masking tape and super glue

The neck and headstock templates are held in place with masking tape and super glue

 

Trim routing with the template

Trim routing with the template

 

The neck shaped

The neck is shaped, need to clean those burn marks

 

The headstock is shaped

The headstock is shaped

 

Cutting the wenge to fretboard dimensions

Cutting the wenge to fretboard dimensions

 

Preparing to cut fret slots

Preparing to cut fret slots

 

Fret slots are cut

Fret slots are cut

 

Cutting stripes of maple veneer for binding

Cutting stripes of maple veneer for binding

 

Cutting stripes of wenge for binding

Cutting stripes of wenge for binding

 

The maple is veneer is glued on are the wenge is next

The maple is veneer is glued on are the wenge is next

 

The fretboard is bound, needs some cleaning up

The fretboard is bound, needs some cleaning up

 

After planing it flat

After planing it flat

 

Making the positions of the markers

Making the positions of the markers

 

Fret markers are added

Fret markers are added

 

A look at the fretboard on the neck

A look at the fretboard on the neck with a maple veneer between them

 

Truss rod in installed and fretboard ready to be glued on

Truss rod in installed in the channel and the fretboard is ready to be glued on (see my article on how to install a truss rod and fretboard)

 

Fretboard glued and clamped

Fretboard is glued and clamped. The green tape is there to prevent glue from spreading on the neck.

 

After the glue has dried and the clamps removed

After the glue has dried and the clamps removed

 

Starting to create the radius on the fretboardStarting to create the radius on the fretboard

Starting to create the radius on the fretboard

 

A 12" radius created on the surface of the fretboard

A 12″ radius created on the surface of the fretboard

 

Starting to shape the back of the neck

Starting to shape the back of the neck

 

Gluing and clamping maple to make the headstock veneer

Gluing and clamping maple to make the bookmatched headstock veneer

 

The headstock veneer ready to be glued

The headstock veneer ready to be glued

 

The maple veneer is glued on

The maple veneer is glued on

 

Excess is trimmed on the band saw

Excess is trimmed on the band saw

 

After cleaning the edges and a wipe of mineral spirits

After cleaning the edges and a wipe of mineral spirits

 

Installing the side dots

Installing the side dots

 

Side dots done

Side dots done

 

Checking the tuners

Temporarily installing and checking the tuners

 

refining the belly carve

Refining the belly carve

 

Belly carve side view

Belly carve side view

 

Volute side view

Volute side view

 

Wenge fretboard sanded without oil

Wenge fretboard sanded without oil

 

Wenge fretboard sanded with oil

Wenge fretboard sanded with oil

 

Starting the fretting process

Starting the fretting process

 

Trimming the fret tang

Trimming the fret tangsClamping the frets

Clamping the frets

 

Frets are installed

Frets are installed

 

Carving the neck pocket

Carving the neck pocket

 

Neck pocket is carved

Neck pocket is carved

 

Test-fitting the neck

Test-fitting the neck

 

Removing the upper neck heel portion

Removing the upper neck heel portion

 

Neck heel is now properly shaped

Neck heel is now properly shaped

 

Getting ready to drill the output jack hole

Getting ready to drill the output jack hole

 

Output jack hole drilled

Output jack hole drilled

 

Fine tuning the back of the neck

Fine tuning the back of the neck

 

Beveling the fret ends

Beveling the fret ends

 

A closer look at the fret ends right after beveling

A closer look at the fret ends right after beveling

 

more sanding of the top

more sanding of the top

 

leveling the frets

leveling the frets

 

cleaning the frets

cleaning the frets

 

drilling for the tail piece

drilling for the tail piece

 

All the holes are drilled and getting ready for staining the top

All the holes are drilled and getting ready for staining the top

 

The top is stained amber

The top is stained amber

 

finishing the cavity covers

finishing the cavity covers

 

making and oiling the pickup rings

making and oiling the pickup rings

 

Vanity Photos

About araz

Passionate about building electric guitars!

43 thoughts on “Custom Gibson Les Paul Guitar Build Diary

    1. Thanks Pete! There are plenty of plans on the web, just do a search for “les paul plans” and you should find them easily.

      Araz

  1. Thanks for posting this. Your work is really inspiring. I’m hoping to start a similar, first time, project, building a Les Paul Jr. Do you have suggestions for where to buy the wood? I’m having a hard time finding it, without buying pre-cut blanks. Thanks.

  2. Hi,
    I’m looking for a stratocaster or telecaster exact plan with dimension (body and neck).Whould you please send me one?
    thank you:))

    1. Here’s what I recommend you do. Go to Google and type “stratocaster or telecaster exact plan with dimension” and see what you get!

      Araz 🙂

        1. Thanks. I buy all my wood from a local hardwood specialty store called Langevin Forest in Montreal.

          Araz

  3. Thanks for sharing such wonderful expertise to the guitar building community.

    I noticed in your tutorial you did not plane the body. Is that because the mahogany board was already planed or because a LP body appears to be slightly wider than the average home 12.5″ or 13″ wide planer?

    For solid bodies wider than 12.5″ or 13″ standard planer sizes, is there a recommended approach for planing a single solid board? Perhaps this is obvious to those who have been woodworkers for quite some time.

    Thanks for your insight and expertise!

    1. Thanks Mark. Yes the LP body is just slightly too wide for my 13″ planer. Fortunately in my case, the body was very flat and I didn’t need planing.

      The standard way is to simply use a hand plane.

      Araz

  4. Nice work. Looking forward to seeing more. Are you going to do binding on the body and if so what will you use?

  5. Hi araz,,

    Is this a set (glued in neck) and and did you add heel angle as well as the neck plane angle. I am thinking of building a semihollow flat top, (little sister style) for next build. Any tricks on a set neck I should watch out for compared to a Bolt on.

    1. Hi Jurgen,

      Yes it’s a set neck. I incorporated the angle into the heel of the neck while keeping the bottom of the neck pocket flat. Personally I find it easier to do that versus putting the angle in the pocket. I have a full video on carving the neck pocket (https://youtu.be/dUIOnXW-DCo) and also on adding an angle on the heel (https://youtu.be/OIUEvElnFGQ), I hope they are helpful for you.

      Take care, Araz

    1. Thanks John. The simple answer is yes, I use a random orbit sander to remove the steps and then I finish with sandpaper wrapped around an eraser. Here’s a useful video that explains the whole sanding of the les paul top.
      https://youtu.be/xkcOH0ZSlgM

      Take care, Araz

  6. Hi, great site and beautiful instruments. I have a couple of questions regarding the finish, which looks sublime…

    Is Amber the only dye you’ve applied ?

    What lacquer did you use ?

    Thanks for sharing your craft.

    1. Thank you Tony,
      Yes, only amber dye was applied, a few coats, I don’t remember exactly how many. The more you coats you apply the darker it gets. I used Tru-Oil for the finish.

      Take care, Araz

  7. Hi Araz,
    Im about to start a similar project and a little restricted on time. I was wondering roughly how many hours you spent on this build.

    Thanks

    1. Hi Brennan, although I don’t keep track of my hours, I can say that this build took more time than any other build I’ve done so far. A LP is typically a bit more difficult to build than other guitars.

      Araz

  8. Hi Araz, first of all congratulations, is a magnificent work. I have a question related router, I can see on the photos that you used a small one, is this enough to construct a guitar?, what is the power and speed?, do you recommend it?, thanks in advance, I’m a begginer,

    Fernando

    1. Thanks Fernado!
      A small router can do almost all guitar-building tasks, e.g. pickup cavities, round-over the edges, etc. However a small router should not be used for trimming the sides because the router bit required is long and it requires a bigger router. I use both a big and small router, but I prefer the smaller one because it’s easier to control. Regardless, always make sure to take as much material out with a forstener bit first to make it easier on the router and bit.

    1. Well, first there’s the wood and hardware, then there’s a garage full of equipment and then there’s years of trial and error.

      How much is all that?

      Araz 🙂

  9. Hi araz. Is that guitar for sale? Amazing work!!! I’m not on Facebook unfortunately…. Or how much for you to make something similar..where are you in the world? Cheers
    Stu

    1. Thank you Stu. This guitar already has an owner. I’m located near Montreal. There is a possibility to build another, you can contact me for details.

      Take care, Araz

  10. Araz, looks amazing and I learned a lot from your tutorials! I noticed on the knobs you did a slight indent into the maple top, is that because you used short shaft pots or just like the look?

    Thanks,
    Kyle

  11. I’ve made several guitars over the years. Almost finished a copy of a Benedetto jazz guitar.
    Yours is really an eye opener!!!
    Would love to be a big bug on the wall watching all your moves.

    1. Thank Richard. But building a Benedetto jazz guitar, I suspect, is more complex than building an LP 🙂
      Take care,
      Araz

  12. Bonjour Araz
    Vous avez fait un travail magnifique.
    Votre site-photo est puissant en explications.
    Je m’attaque aussi à un projet similaire.
    J’espère y arriver et votre site m’aidera alors que j’aurai certaines difficultés.
    Merci.

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